Suze Drives Fast
Very happy to make a return to short stories with a short published by the great people at The Common Breath. ‘Suze Drives Fast’ is about two women existing in the aftershock. About what life is like after you might think it’s all over. Read it here: http://thecommonbreath.com/blogfiction.html
(Quite) Honourable Stuff
My short story, The Promise of Heaven, has received an ‘honourable mention‘ in Glimmer Train’s ‘New Writer’s Short Story Competition’. It was originally published here. If you missed the story first time round, here it is again:
There is a little boat in Istanbul that chucks across the Bosphorus from east to west, west to east, like a metronome set by some absent pianist – and somehow my brother has ended up the captain of it.
Nine months ago we moved here from Ankara, where my brother Amir, my parents, and I had spent our entire lives. It had begun to feel like a warzone already, just, no one was entirely sure who we were at war with, or why. There were bombings almost every month at that point, now it’s almost every week. Sometimes these would be carried out by fundamentalists, but more often than not the boys blowing themselves up had only come into contact with the Quran six months before and were so blissed-out on poppy compounds from the Kush they didn’t know what they were doing. No one knew what they were doing. No one could understand the point. Everything remains the same, just more people have a sick feeling at the core of their heart where once a love had been.
In response to the danger my brother and my father became more conservative; my brother especially, which meant he wanted me to become more conservative, and I’m about as conservative as anyone need be. Fortunately, after the move, it became clear that my father had held on to his already-engrained ideals of equality, and therefore, his sanity; but I feel I’m watching my brother turn into the thing he fears, for fear of it.
My parents had already been talking of moving for a while, my father had been speaking to an engineering company 20 miles from here, where he now works, though nothing was actually in place when the decision was made for us – not by another suicide bomb, but when my uncle murdered a man, our cousin’s husband.
Before he went to jail my uncle had been a professor at Ankara University, but he always insisted he was primarily a poet – so he was already unpopular with the authorities. Our cousin had been the aspirational woman of the family; she’d shrugged off Aunty Nilay’s fatal fall from the bathroom window, worked hard, studied law and become a solicitor. By 28 she owned her own flat in the center of Ankara, and had a white BMW (on finance) that looked like a washing machine. My mother was always proud to have just come off the phone to Ela. “Ela’s meeting with a diplomat … Ela says we must eat more fish … Ela’s going to to Paris …”
Ela did meet with a diplomat, though she didn’t end up telling mum the full story. She only told me. She picked him up – he wasn’t actually a diplomat but a general, and all the company wanted her to do in the end was take him to the airport – he tried to grab her while she was driving, she started screaming, so he took his gun out. She stopped screaming, and the big, white washing machine pulled over.
Omur, our late cousin-in-law, owned an expensive restaurant frequented by politicians, lawyers, celebrities, and occasionally, solicitors. He had been given the restaurant by his father, and beyond the veneer of stainless steel and cods roe, he had little to offer the world. She had married him for no other reason than that she loved him, and maybe more than that, she pitied him – and he didn’t like that. There was never anything stopping her from leaving, from making him look like a fool: she just had to pick up her keys. One night she tried to do that. He beat her unconscious.
I read in one of my mother’s magazines once that when Ava Gardner swam naked in Ernest Hemmingway’s pool, he wouldn’t let the pool-boy clean it out, because she had been in there. The water still held her memory. I want a love like that.
When we were young, on one of our first and last family holidays, Ela and I found a pair of twigs that looked like dolphins. Hers looked better than mine, it even had a stubbed branch that looked like a dorsal fin; but when we threw them into the sea, while mine bobbed bravely out into the big blue of the beyond, hers tipped on it’s side and swung, to shore and away, to shore and away. As lifeless as a dead branch.
It looked like she was going to be ok at first; blood and saline were pouring into her, she opened her eyes a few times and looked around, “she survived a heart transplant” we joked; she had, when she was 8. But she couldn’t survive him. She died at 4.47am, alone, and unable to witness the 9th of January and all the strange horror it would bring.
I woke up early to help mum make breakfast for dad and my brother (Amir moved out when we moved to Istanbul, but he still comes round for most meals). It was around 6am, and we were making ourselves some tea when the phone rang. It was Uncle Kamur; he was at the hospital and the police were there now, a little late we all agreed. He was so consumed by grief and anger that my mother could barely understand him. She woke my father and told him we’d both be going to the hospital, and that there were pastries from yesterday in the fridge for breakfast. When we got there, Uncle Kamur had already left. The doctors said he’d had a pain in his chest and had been having trouble breathing; they took an ECG, and the read-out seemed fine. Uncle Kamur asked if he could see the read-out; the nurse tore off the page and handed it to him. He got up, clutching the reading in his hand, pushed her aside, and left.
We asked if we could see Ela, but apparently because of the circumstances we would need either my uncle’s or the police’s permission; my mother couldn’t get hold of Kamur, and “didn’t want to bother” the police. She went back home to wait for Uncle Kamur to call, and I went off to my shift at the café. I don’t think I said anything to anyone during that shift. I nodded a lot. I still couldn’t quite understand that Ela was gone. She wasn’t supposed to go, she was supposed to be taking me to Paris in July.
Amir used to be happy, he used to want to make things better. Back in 2013, he’d come with me and a few other friends to Istanbul for the uprising. Our parents told us it was too dangerous, but, as he said, “this is history”. Only it wasn’t. For all the people, the chanting, the plastic bullets, the tear gas, the bruises, the blood, the energy, the hope, slowly normal life drummed us back to sleep, for now, and nothing changed. We went back to Ankara, and Amir started hanging out with a few drug dealers he said were “honest men” who had been forced into the ‘profession’. He somehow overlooked that in this profession the men were extremely dangerous. The dealers all had hidden wives, but they also had prostitutes. Amir saw what they did to the prostitutes, and he knew they would do it to me. But he was lonely, and they told him promises of heaven, sweeter than life itself. They mingled in the orchards of the deep web and cherry-picked its most abhorrent fruits. They were the ones who hooked Amir up with his job on the boat, and the two-day training. I told him I’d tell mum and dad, he told me the dealers would kill me if he had to quit the job, and I believed him. So I’ve kept my mouth shut. But I know it’s not tourists on that boat in the dim hours.
At 11.40pm, having heard nothing from Uncle Kamur all day, we received a phone call from the police informing us he was in custody. He had killed Omur. My mother ran to the toilet and was sick, I picked up the phone and asked what had happened. They asked if my father was home, I told them he wasn’t around. Apparently Omur, defiant in his deed, had stayed at the house he and Ela had shared. Uncle Kamur had gone round, and, upon Omur opening the door, fired a shotgun at his chest. He left Omur there, the door wide open; stuffed in Omur’s belt was the read-out of Uncle Kamur’s heartbeat just after he’d been told his daughter had died.
It was grizzly, and not as poetic as I think Uncle Kamur thought it would be in the moment. The police found him the by sitting at the water fountain in Kizlilay Square; he was still holding the shotgun, so it didn’t take them long. It meant Uncle Kamur couldn’t go to his daughter’s funeral and I wonder if it was worth it, what would Ela have preferred. But I can’t say she didn’t want the man who killed her dead.
You kill mine, I kill yours. You kill me, I kill you.
In some respects, Uncle Kamur was lucky; he got a reduced sentence, 6 years; he’s been in there for 10 months, but we’re not sure he’ll ever come out. My father’s started to notice something’s up with Amir, he talks of nothing but what we should be doing, what other people will think of us for not, what they might do. I think of leaving here sometimes but I can’t. There’s something that pulls here; a strange wind, like there’s been a black hole smuggled into some back alley, and it’s slowly sucking us back into a past we were never meant live, but now we must live out. And judging by the way my brother turns his head to it and sails along regardless, it requires as many of us as possible to stick around.
‘The Promise of Heaven’
New short story commissioned by the BFI’s feminism in film website TTIN in line with the release of the film Mustang. Read here.
Short Story Published on SomeSuch Stories
I’m delighted to say the awesome people at SomeSuch Stories have published my short story, LifeLine. About a woman in isolation who takes voyeurism a little too far. Read the story here.
All That Glitters
†
London, you are usually overcast when I visit you. Maybe twice a year when I’m up you’ll be blazing hot and people will be outside drinking like Europeans on the continent, but without the European tact of stopping before they’re sick.
The last time I came to visit you was only a week ago, for a funeral. Not ‘a’ funeral; the funeral of my godmother, who had lived in the same house in Battersea my entire life, had always had both fire and central heating on, and had been an invisible pillar in the structure of my life; there for me to lean on if it ever got bad enough. Invisible only in the fact that I never felt it had got bad enough for me to lean on her, and so I hadn’t truly realised what a fixture she was until she was gone.
You were grey the day of her funeral too, not warm either. But she had left you on your sunniest day, just before the super moon.
Now, there is one less person in this world I can lean on, so I imagine her invisible column bolstering my spine and promise to stand up taller for the rest of my life.
This week (and, I brace myself at the thought: for the next two weeks) I am up for work and I thank the indian summer that you are not yet at your bleakest. Your thin laced, blue-grey skies are still off-set by the leaves on your few remaining trees; green if evergreen but burnt, bright, red in the vines on the outskirts of town.
In Victoria however, you are at your greyest. I slowly slalom my way out of the underground and try to prepare myself for human interaction, to remember to “SMILE”, because people don’t like girls who don’t smile. You get told to “cheer up”, regardless of whether cheering up is conducive to a good production or not, or really, whether it’s conducive to being sane. But I’m not high enough up the chain or far enough in the belly of these things to start exercising my opinion, unless it is positive. I know my place in their eyes.
Fortunately, I also know my place in mine.
So I set myself up for all this; for the advertising producer to eye me up, and not quite understand me or be able to file me away somewhere so instead he’ll treat me with slight distrust. Like a spicy desert or a tame dingo that could turn feral again at any moment and maul everyone at the Perspex table we meet on. I prepare myself for this.
People walk and storm past me, with varying huffs and struts of importance. I wish they wouldn’t all wear grey and black. Though I am wearing black, and I do very much like grey; and that bright computer blue of that lady’s coat is horrible but I do wish people could create a more pleasing palette to walk among.
I keep in mind I am the person I find disheartening; I am wearing black and I am looking at my phone trying to find my way to the production office. But, for once, I am not in a rush.
Things change.
As I turn off the grey street with its glasshouse shops and steel ship architecture, there’s a bustle of red brick and green leaves, and between the two worlds is Westminster Cathedral, though I don’t realise it is Westminster Cathedral until I get closer because I’ve never been there before, but I suppose you know that. I did know it must be some sort of cathedral, or maybe I thought it was a church at this point, but what’s the difference. (I’m not asking).
On the steps a girl flamboyantly crosses herself before she goes off to a purposeful and confident days work, brimming with the holy spirit in her navy, satin puffer coat – it looks warm.
I creep inside the Cathedral. It’s better than I expect, large and long and cavernous, with paintings and mosaics of saints, cornflower blue seeping through the honeycombed windows, green and ochre wood-like marble columns support the heavy, empty ceilings; cloistered men chat in red by the pews and lights dangle from wrought iron chandeliers.
I walk down the aisle and feel the cool air as I breath. ‘Cathedrals always make me cry.’ I think as I feel the tears coming, but I don’t like crying so much anymore so I wonder why my eyes fill instead and clear them with thought. I think of all the souls, wishes, despairs, hopes, sins, secrets, notes that were sung, they still hang in the air; it’s all here in the atmosphere and it’s almost overwhelming. Imagine if they’d lit the incense. I wish they’d lit the incense.
I hear a lady’s knee crack as she gets up from her prayers.
This calms me down.
There are about 10 people including myself scattered around the brown benches; we seem to all be from different continents, which is very diverse of us. I choose a pew alone on either side, I need room for my thoughts – I like to observe, but need the privacy to think. The thrill of the voyeur is stolen if one is being observed oneself, but I feel no eyes on me here. It is a great relief.
I watch a priest prepare a white-clothed table beneath a huge, pillared temple-thing, I suppose there’s a word for that, my mum and sister probably know it. I however, do not. So to me, it is a huge Greek temple stuck in the middle of the cathedral, and that is impressive. The priest is going about laying the table, preparing it endlessly under gold white light and I drift away from him. As he continues to go through the motions, he blurs and clouds and my minds eye comes into focus. I imagine an easier life.
I don’t know what I would ask from God anymore, I’ve asked for most and am still waiting for the vast majority. I understand that with some things, like the chick I accidentally killed when I was three going to heaven, it’s hard to tell if He followed through or not, but other stuff like, ‘give me a break’ or ‘cash injection please’ it’s become increasingly apparent the Holy Spirit won’t be intervening on my behalf anytime soon. So I just sit and instead imagine what might lie ahead of me today and how I can make it easy on myself.
Just be easy on yourself.
With that decided I get up, St Barnabas in mosaic to my left, royal blue and beaming I find him quite a humorous and comforting chap.
I know I am leaving now. I light a candle because I have change and it’s a nice thing to do. I watch the flame bloom and cradle my fingers around it for a few moments, then wonder if I can take it with me. Then, know I can’t.
A few paces in front of me and to the right, just off the exit passage (whatever that’s called) I find an entirely sparkling room: the ceiling all in metallic glistening mosaic, Jesus and Latin in sparkling tiles and an old lady who has been there a while.
She’s illuminated in every direction by a thousand glass stars. She seems the centre of this little universe, so I leave her alone to be restored by the glitter.
As I make my way out I think I don’t have anything against religion; but then my brain rises with ‘OH! Jade. But the wars and the horror that has been waged and is waged in the name of religion.’ I pause in thought, momentarily appalled by myself for even thinking such a frivolously backward thing.
Then, as always, something lurches forward to defend me, this time from, myself.
‘Thank you social conditioning, but no; I don’t think I do have anything against religion, by religion I mean it’s very essence: spirituality. Religion at its base teaches one very simple concept that is very hard not to agree with, love and tolerance. (Oh so that’s my opinion. Feels slightly dangerous to have one … maybe it’s not the right one. How much do I care if it’s not? ‘)
I have plenty against people. I have plenty against people who can’t see past the picture to the meaning, or who distort and warp and complicate it beyond recognition. Who use it for gain or greed, to use their given name for “it” to kill. I have plenty against them. Because people seem to do a very fine job of abusing, deceiving and slaughtering each other without the bastion of religion. We are usually the problem.’
Like a finger pointing at the moon, we must remember to see the moon, not the finger.
So no, in here, I feel safe. Protected from the deluge of aspirational mentality that is now the lifeblood of London. It’s hollow and fake and it makes me sick. But I need the money, and that, unfortunately, is another mentality.
For now though, I am still here in Westminster Cathedral and in a sense, because I have been here, I am always here in this ever expanding moment that runs like a race track through time.
No, I have nothing against religion itself and little against you, London. Little except for the fact you are no longer my home. And though I know you so well, you aren’t mine anymore. So I don’t mind your grey skies so much, I won’t be long under them, because I do have enough against you to stay away.