Table plums highgate London April 2020 Pandemic lcokdown

Locked-down And Out In London

Posted On May 15, 2020 By jadeangelesfitton In Locked down and out /

May 15^th

After a cold, grey week of watching the wind bully the trees, we’re back to beautiful mornings. Cool in the shadows but warm in the sun. Disaster is coming. Or it isn’t. Like a fox on a country road, frozen under the full-beam of an on-coming car in an otherwise black night, I don’t know which way to turn.

Forwards or backwards?

The decision is made for me. I have to go for a (routine) blood test— this is the furthest I’ve ventured in 6 weeks. I wear brightly coloured trousers to ward off evil spirits. And in case that doesn’t work, I’ve got the Dr. Death leather jacket back on so the virus will know to back the fuck up.

I listen to Ella Fitzgerald’s Manhattan while walking through dirty London streets still creaking with the weight of a pandemic, and it feels rather smug. Billy Holiday’s more the vibe. Civilisation as we know it has been put into question, as have our individual identities, which means men in white vans demonstrate their virility by using anyone attempting to cross the road as target practice. Paying them no mind, a man with a mask cycles with no hands up the empty street. I much prefer these kind of cyclists to the mid-life Lycra set who bellow “watch out” as they scream round a blind corner twice as fast as the speed limit.

The ice cream van’s been out for about a month, and the local cemeteries have been open for a couple of weeks, presumably for anyone who wants to save themselves the trouble and just launch themselves into an early grave now.

Apparently, you can get that bored.

The ravens and rooks hobble around like boys in baggy trousers. Flame licked iris are out and pink, purple, and white rhododendrons have burst onto the scene; beyond their haze of colour twisted roots and branches loop each other like a mangrove swap. Magpies skim along the ground like stones across the water.

When I go for a run the air by the lake is filled with glowing pollen blowing off the reeds that rustle reassurances on the wind. The haze makes the scene look like the summers when everything was golden. Already the earth is dry and cracked in places like my hands.

Continuing my cottage industry, I’ve sold some black stilettos on eBay now. Maybe whoever bought them’s going to the cemetery.

I dig at a kiwi with a spoon and its seeded flesh oozes out like frog spawn. It’s not ripe yet and makes my mouth water. I ripen hard plums in a chipped white bowl in the sun. The tomato plant I grew from seed has been indoors and survived the winter; it now thrives in the sitting room and droops like a willow under its green fruit.

Nothing is ripe yet.

Nothing is ready.

It’s all too soon.

But the sun is shining and there’s weed on the wind. As the evacuated stay in their second homes, gardens run wild and buttercups stand tall, begging for chins to glow up. The dust-covered cars are on the move again. Walking home laden with shopping, I listen to Bob Dylan and make a decision to serve no one but the ones I love.

We put on Rambo for some easy watching and are surprised to discover that it’s a masterpiece. It starts with a small incident and explodes into this epic psychological breakdown. Stallone is practically silent throughout the film, and only in the last five minutes does he really talk, and when he does, it floors me. The trauma. It floors me.

“Nobody would help! No one helped! He said, I want to go home, Johnny, I wanna drive my Chevy…”

An opera shrieks from the radio while I’m in the bath. It’s von Suppé’s The Devil on Earth, and what I gather is that in von Suppe’s future everyone is eccentric, but at a party two brothers are unable to elicit either any mischief or any romance. They conclude that in the future the devil has distributed himself evenly among everyone, so is everywhere but impossible to find.

It’s been a long time coming: face masks are fashionable, and they aren’t called face masks, they’re face coverings. I see a female politician wearing a coordinated mauve outfit and mauve face “covering” and find it infinitely more terrifying than the clinical alternative. I’m all about reusing masks and making them out of whatever fabric you want but… it’s the coordination. The consideration. This is our new reality and it’s unsettling how quickly something so sinister is assimilated into fashion.

May joy be unconfined, our downstairs neighbour’s taken up the bongos. Occasionally, the bongos are accompanied by some vigorous throat singing, which when it catches you off guard can be quite alarming, but I appreciate it’s certainly more musical than just screaming into a pillow.

I’m reading Shirley Jackson’s We Have Always Lived In The Castle this week. As well as being a surprisingly enjoyable read about a poisoning, it is a book about a type of isolation that makes what many of us are experiencing seem almost communal. I suppose all stories are stories of isolation if you look at them right.

Got Time To Watch Plums Ripen In A White Chipped Bowl

Locked-down And Out In London

Posted On May 8, 2020 By jadeangelesfitton In Locked down and out /

May 8^th

“Pandemic! Got that pandemic.”

We can continue with The Wire as someone is feeling a bit stronger this week – less overwhelmed and more outraged. Eerily, season four’s first episode opens with the kids on the corner selling their wares, previously given names such as “WMD”, “Bin Laden”, and “Red Top”. Today shouting, “Pandemic! Got that pandemic!”

It rings out through the empty streets of the episode. And the next, and the next. Possibly through the whole series.

“Pandemic! Got that pandemic.”

The children’s play area in the local park is covered by metal grating to stop the kids passing the virus on to each other as they play, to their mothers and their fathers; the reality of dystopia is much more subtle than it has been portrayed in books and films, and that’s all the more unsettling.

Old men sit solo on their benches, catching the rays two meters apart, as if the park was designed with this very future in mind.

On an empty bench, there’s a plastic bottle filled with stagnant water and red carnations to remember the dead. She was called Clara and she died in 1998, when this future was still a twinkle.

I watch Graham Brady, the Tory MP who thinks people like staying at home during a pandemic too much, in disbelief. As his foul utterances limp off his tongue, his mouth becomes dry and cloying, his body so ashamed of the words coming out of it that it tries to shut his mouth in any means possible, directing all moisture away from this orifice and towards his armpits. But his self-assurance is a fiercer force and it keeps him talking, pushing for lockdown to be eased before it’s safe. People are “too willing” to stay at home and not go to the jobs they’ve hated their whole lives in order to save their lives, and their loved ones lives, and possibly even this guy’s life.

I think of a time earlier this year when a friend and I were walking back through Soho, only to find Old Compton Street closed off by police, then Wardour, Greek, Frith… everywhere rushed to be closed off by a large number of police. It must be serious; this is literally the whole of Soho. I ask a policeman what’s going on, he is busy and, unanswering, he shoos me along. Up at Soho Square, I ask another.

“Bomb threat,” he says.

Oh shit.

Behind him, his colleague is trying to stop, and physically block, a man desperately trying to return to work. Having informed the man there is a bomb threat, he’s trying to shield this man from something that could kill him, and the man is pushing and saying, “I don’t care! I have to get back to work! It’s just over there, just let me through!”

The desperation to get back to his job, the fear at being late back from lunch, the complete disregard for his own life for want of his job was very sad. My friend and I agreed that surely, in any sane country, you’d just leave for an hour or two and then return. Or, should the bomb go off, just clock off for the day.

On the news later, it turns out they had discovered an unexplored WW2 bomb. So don’t tell me people don’t cling to their jobs. I just think people like Bradbury have found it a surprise that most people cling to their lives more dearly.

And so, there is hope.

I hear the first scree of a swift: summer has arrived on May 6^th – at exactly the same time as it arrived with my sister, it turns out. And the swift and the summer is more welcome than ever. With the swift’s forked tail trails every summer that has come before this one, good and bad, happy and sad, every future summer, every blue sky and setting sun. And we long for it. We long for them all.

The plane trees that were pollarded within an inch of their lives are thick with green leaves that wave like a celebration.

I miss the charity shops, the displays in their windows have been the same for two months now and they used to take such pride in changing them every week. I miss going in and saying how overpriced everything was: “£65 for a pair of Miss Sixty sunglasses?! Fuck off.” Only to find an absolute score hiding on the rails.

I miss my family.

The whistling sound of pigeon wings haunts us like an angel of death. Except it’s the angel of shit.

Blue, white and black face masks litter the streets. They are like all things left on the street, a sorry sight. When I lived in Dalston it was strands of weaves that tumbled and drifted along the roads. Saturday and Sunday morning it was like walking through a Sergio Leone set. I preferred the weaves.

A friend sends me a poetry exchange that I don’t take part in in any orthodox manner, I “break the rules”. And because I broke the rules, they break the rules and don’t send me a poem, but a song by a Brazilian man called Caetano Veloso:

I walk down Portobello road to the sound of reggae
I’m alive
The age of gold, yes the age of old
The age of gold

The age of music is past
I hear them talk as I walk yes I hear them talk
I hear they say
“Expect the final blast”

I walk down Portobello road to the sound of reggae
I’m alive
I’m alive, vivo muito vivo feel the sound of music
Banging in my belly
Know that one day I must die
I’m alive

And I know that one day I must die
I’m alive
Yes I know that one day I must die
I’m alive vivo muito vivo
In the eletric cinema or on the telly
Nine out of ten movie stars make me cry

I’m alive
And nine out of ten movie stars make me cry
I’m alive

A few days later I think of this song as a man drives with his top down smiling and listening to loud reggae. And as the sun pats my cheeks and the reggae drifts in to the distance, I think, this is living

“Baby Hats! Got them Baby Sun Hats!”

Locked-down And Out In London

Posted On April 17, 2020 By jadeangelesfitton In Locked down and out /

17th April

“Another day in paradise.” I hear a neighbour say.

It’s no longer worth noting what makes me cry. But I do wish Diego Maradona could’ve had a better second half to his life.

I haven’t been working quite so hard this week, which means the fear starts creeping in. I have to be treated like a baby for large portions of the day, stroked and told “everything’s going to be ok” over and over again.

Large portions of spaghetti also help.

Having been forced to seriously consider, I now know my five essential items that I simply cannot live without: spaghetti, olive oil, candles, garlic and salt. But then this means I don’t have coffee on my essential items, and I really need coffee. So it turns out I need less that I thought, but more than I would hope, to survive contentedly.

I wear a shirt my father gave me. He stopped wearing shirts a long time ago.

I go for a run and see a total of three guys jogging topless. My first thought is: this virus is spread by bodily fluids and yours are leaking out all over the fucking place. My second is that it is April, in England. It’s really not that hot…

This week, I’ve mostly been reading articles in a Rolling Stone anthology and Orwell’s Books v. Cigarettes. I read a lot of Hunter S Thompson when I was a teenager and therefore figured I’d sort of “done” it. But I just re read the Fear and Loathing piece and you don’t see it any more. I certainly don’t. That madness. Features have become so dry, for the most part. Everything seems so dry and mediocre.

It all rings out like a bum note that everyone can palate.

Last summer we went to a talk at our local bookshop —£5 including a free glass of wine, cheap night — with the grandson of the original Faber, who was flogging his new book. He had some good stories. And he went on talking about all these luminaries and the lives they had and the parties, and not once did he mention any of his experiences at the place… I think he worked in the marketing department or something. I never usually ask questions for fear of so many things, but there was an agent there who kept asking questions about rights and royalties that she should’ve known, and he was getting quite irritable. So I put my hand up and asked him if he thought it used to be more fun being a writer and a publisher? Whether people were wilder and had better parties?

He didn’t think so, and said he loved working in an office with people who loved books so much.

I mean, we all like books, mate, that’s why we’re here. But it’s all got rather clinical, hasn’t it? Let’s be honest. But he wasn’t. I guess it would’ve been a sad thing to admit to himself; but we would’ve all shared in that sadness. We are the generation of The Numb But Productive. For which, I blame rent and house prices. You can only be a drifter for so long before you become homeless. It’s a thin line and in my time I’ve trodden it bare.

Maybe we’ll have great parties again when this is all over? When will this all be over?

I offer help to several people this week, albeit a compromise between their needs and wants, and am surprised that every one of them has told me the help I offer is not good enough. I mean, we love mankind, we surly do, but I have to say I have been surprised by people’s inability to compromise during a pandemic. We have got so used to being able to get what we want whenever we want it that anything less than that is…not good enough.

Personally, I find that attitude not good enough but I’m probably lost up my own arse as well.

A man skips all afternoon in the communal gardens. When someone starts skipping you know it’s bad. Butterflies float around; they seem lost, like they’ve turned up to a party and everyone’s left. The insects know that something dark is going down, they’ve seen it all before.

Apparently I only continue to spread misinformation about barbed penises. My sister informs me that foxes indeed do not have barbed penises, but some other terrible mechanism I won’t be googling. Where did I get all this misinformation? I didn’t just make it up and believe it for ten or twelves years, did I?

Never hold on too tightly to your beliefs, they might be a barbed penis.

Still Smiling (Sometimes) In My Father’s Shirt