I wrote for Creators/Vice about a website that uses algorithms to reveal Trump’s top financiers in the art world that is also a conceptual art piece by Seth Price. It’s really, really, really cool. Have a look here.
ORDINARY BRAVERY: IN LESBOS AND ATHENS, REFUGEES LIVE IN LIMBO [PHOTO ESSAY]
Bob Dylan Beaten Path Review
I’ve lost my shit for Bob Dylan. Lose yours too, go see this. It’s really good. Read here on MyArtBroker.
Six Andy Warhols …
Art+Feminism Wikipedia Edit-a-Thon Piece For Artslant
In lieu of the Art + Feminism edit-a-thon on March 5th I’ve written an article about the event, female artists throughout history and happen to compare Wikipedia to Henry VIII’s translation of the bible into English (- what?)
Piece For Artslant On 11 Women Artist’s
For Artslant I wrote about some of the most incredible, funny and strange female artists throughout history as part of the up-coming Art+Feminism Edit-a-thon. Read here.
For more about the edit-a-thon and how you can take part, I wrote for Artslant here.
New article for Creativepool about bringing back fun …
Analysing the Layzell Bros success through nostalgic, ‘feel good’ animations
Remember when the object of a music video was to promote something ‘feel good’? Remember when you didn’t wonder whether someone close to the musicians had recently died, and then why on earth were they making a music video at this time, when they were clearly in emotional distress? Or maybe it was just some mysterious abstract pain all musicians are in these days.
Who knows, who cares. All I knew was that I hadn’t seen a fun music video since Zach Galifianakis did a remake of Kanye West’s ‘Can’t Tell Me Nothing.
Well, not until The Layzell brothers from Wales hit the scene. Working as animators, illustrators and directors, they’ve been livening up the advertising industry with their ‘far out’ cartoons and animations for Three mobile – which are animated phone conversations where people are transformed in to things like clouds and pineapples, and their most recent success for Harvey Nichols new advertising campaign.
Inevitably, praises be, they hit music industry. Starting with a music video for Mazes song ‘Most Days’ with an animated video of a sort of green triceratops skater teenager and a lot of other strange skater creatures, to a Crystal Antlers animated video and now a fantastic psychedelic trip for Adam Buxton’s (Adam and Joe show) new music video inspired by The Beatles Yellow submarine.
As with Alice and Wonderland, The Magic Roundabout, The Simpsons and a lot of fun, seemingly childish creations; at first glance that can appear all they are, a lot of fun and nothing more. But if you pay attention to the Layzell Brothers music videos, and all their shorts (less so with the advertising campaigns but it’s not a perfect world) with as greater absorption as you would if you’re watching Rhianna massacre anyone around, including herself with pretty much anything she can lay her claws on; you will discover something startling. They’re actually quite “deep”.
– It’s this vague fascination with the glitches of physics affecting reality combined with archetypal images of pyramids and giant cats, and hitting our collective unconscious with relentless nostalgia –
The Lazyell Bros tripping you in to parallel universes in their animations is no accident, they may not have the attitude of ‘intellectuals’ – thank god, but they certainly have a fascination with quantum physics saying they study “text books and stuff”.
It’s this vague fascination with the glitches of physics affecting reality combined with archetypal images of pyramids and giant cats, and hitting our collective unconscious with relentless nostalgia – skate boarding, smoking a mysterious herb, anarchy, vomiting, running from authority – with the commitment to a sort of automatic, unconscious drawing style that produces some incredibly bizarre looking characters, sort of like Jim Morrison’s automatic poetry in visual form, with a sprinkle of joy. And what fun that is to watch. What fun for your brain to be looping in and out of these fantastic colorful realms, what a relief not to be watching some woman or man suffering some abstract pain, or aggrandized self-delusion. How nice to be watching a skating triceratops guy, please musicians, let there be more, don’t feed the pain.
Words by Jade Angeles Fitton
New review for ARTslant LA ….
I’ve written a review on a butt-oriented art show in LA. New editors pick’ . Read here.
‘How Mariokart Is Like Rubens’ Piece for Artslant
Describing how Mariokart is like Rubens and many other interesting parallels between classical and contemporary art–including the art you did not consider art, and the fundamental patterns and shapes we connect with certain emotions. Read here.
‘Before The Zeitgeist’ Piece For Artslant
I’ve written my first piece for Artslant.“Who *really* invented the remix, the selfie, cubism? You thought you knew…” Read here.